Part 3 (of 3) of the NY Film Academy Discussion on Greg Mottola's ADVENTURELAND is predominately on the script and what we wanted to do with it. Towards the very end I get around to talking about a new micro-budget culture that is emerging and the hopes I have for it.
Pt 2 (of 3) of my NY Film Academy discussion on Adventureland. Mostly about the release, and what it was like about working with the various cast and crew. There is a fair amount on working in the studio system, at least what little I know about it...
I just noticed that a discussion I did on ADVENTURELAND at the NY Film Academy has been put on YouTube.
Okay, this is also about talking these days too, but I didn't know how to put that into the headline.
Isn't it nice how sometimes everything seems to go right?
Years back, we were given a script by a director whose work we admired. He was committed to getting it right and luckily we all worked well together. He kept making the script better and better. Yet, times are always tough and a period youth movie is never high on buyers must -have list. Still, we were prepared to make the film at any budget even if you needed more than a little just to license the period songs that punctuated every page of the script. One of his TV buddies then offered him a gig on a flick without any stars, making it seem like a Direct-To-DVD assignment. But it wasn't -- not even close.
We assembled a great team to make the movie, some old friends, others that became new friends. Everyone was talented. Everyone had a good attitude. Everyone worked really hard and had a good time in the process. The prep was short, the hours longs, but it still was a great time. Kinda like the film we made, but with less drama and less ball taps.
So this Friday night, our good fortune and everyone's hard work is offered up to you, albeit for the price of a movie ticket.
Michael Phillip's Chicago Trib 4 Star Review
Hollywood Reporter review.