Throwback Tuesday: Suzman, McKellan and Johnson
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Actress Janet Suzman and actor Ian McKellan, stars of the film Priest of Love, and Festival Program Director Albert Johnson at the 25th San Francisco International, 1981. Photo by Tim Toland.
Actress Janet Suzman and actor Ian McKellan, stars of the film Priest of Love, and Festival Program Director Albert Johnson at the 25th San Francisco International, 1981. Photo by Tim Toland.
Francis Ford Coppola shakes hands with Vincent Price at the 28th San Francisco International Film Festival, 1985. Photo by Bruce Forrester.
photo by Pamela Gentile
Ray Liotta wants to know what the f#@! you're looking at in this photo from a 1988 SFFS members screening of Dominic & Eugene.
4/19: It's On
photo by Pamela Gentile
Opening Night Post Screening Q&A. I love it when post-screening Q&A’s don’t go as planned. I would call this one an even draw between Benoit Jacquot, director of Farewell, My Queen and interpreter Natacha Ruck.
4/20: Marilyn Embarrassment
photo by Pamela Gentile
Our festival KinoTek presentation of the work of Karolina Sobecka included Pornographic Pursuit 2, a film loop of Marilyn Monroe disrobing that only runs to completion if gallery visitors jog in place. A trio of young women wanted to experience the art but, due to embarrassment, jogged avidly facing away from the projected image. (Sadly, We only have a picture of the piece being experienced with the more common facing-the-image method.)
4/22: Fire Drill!
photo by Pamela Gentile
I know a fire alarm should not necessarily be a festival highlight, but thankfully not a single film was on the screen at the time. Our festival operations staff got to show their stuff and what could have been a disaster turned into an impromptu 15-minute street event.
4/23: TuneYards and Buster
photo by Pamela Gentile
I got to experience this one as a regular audience member. Just an all-round great night of cinema and music.
4/26: Award Winners and Cows
photo by Pamela Gentile
What did Award recipient Kenneth Branagh do during the day before the Film Society’s Awards Night Gala? He went to see the Swedish documentary Women with Cows. And he liked it. And he talked about it on the radio the next day.
4/28: Men of Cinema
photo by Pamela Gentile
Some of our favorite men of cinema turned out to honor well-loved “man of cinema” and Novikoff Award recipient Pierre Rissient, including the Film Society’s Ted Hope (who managed to evade the camera).
4/28: We Are the World
photo by Robert Jerome
Apparently the Bay Area has a large number of expatriates from the remote Azores island of Corvo depicted in our documentary award-winning film It’s the Earth Not the Moon. Here are some of them who turned up for the film’s Pacific Film Archive screening in Berkeley.
5/1: Hometown Heroes
photo by Tommy Lau
The Waiting Room Q&A. I love a huge hometown screening, especially when it gave the audience a chance to show their enthusiasm to documentary subjects who are probably too busy helping patients to feel the love at a lot of festival screenings.
5/2: Best. Filmmaker. Lunch. Ever.
Only the Young’s Garrison Saenz and Kevin Conway got to experience San Francisco’s ornate Palace Hotel. Plus, Golden Slumbers’ Davy Chou hooked up an invite to Magic Mountain from Kevin.
5/3: Hometown Heroes, Part II
Journey’s Arnel Pineda gave us a little a cappella treat to ring out the festival.
Bonus: Favorite Festival Sweater
And the winner is... Davy Chou!
Rachel Rosen is Director of Programming at the Film Society.
I'm a film viewer who mostly enjoys the whole ensemble; what I truly relish are the particular details of well-dressed characters. It is with this particular taste that I present a montage of some of my favorites: the lessons from the stylists, costume designers, cinematographers, directors, and others with 'the eye' behind these films enjoyed on the SFFS and SFIFF screens.
Style—all who have it share one thing: originality.
Hover over image for the caption
Diana Vreeland: The Eye Has to Travel
When you cite that style and fashion are essential to a narrative scene, you are indeed hailing the Queen who coined it. With all my respect (and credit card bills), this broad re-schooled us all again on the imaginative and dripping richness of why we all need to dress well!
Marina Abramovic: The Artist Is Present
Much of the film celebrated the unclothed body, but hey, I'm giving props to the dame whose iron will lead her to wear the same dress for over 90 days!
Chicken with Plums
We all know it. We all do it. Shoes are the first things to check out. They incite love at first sight. Observe perfection: perforated chestnut leather heels. Unexcusable: Mathieu Amalric's uneven mustache. Forgiven because being lovesick is excusable.
The Woman in the Fifth
The right red dress is a warm thought in a velvet mohair chair;
hold it...
hold it....
hold it...
Wuthering Heights
If you're a classy heartless bitch standing in cold mist, slap your childhood love in style with a red velvet short coat and monochromatic skirt.
The Great Magician
You're truly a bad ass when comfortably wearing a black stetson, cream full-length skirt, vintage silk shirt, gold/black boots and a smile in the face of an armed suit.
Kryptonite!
We all love vintage throwbacks and the Italians have it on lock down. Maybe it's in their flared pants. Maybe it's the sheen of their fine merino knits. Maybe it's that shine of those Gucci shoes. Regardless, if it's 70s, for the love of fashion, get Italian.
It all starts here! This is the core staff for SFIFF55, who all worked their asses off to make the Festival happen. Photo by George F. Gund
One of my favorite red carpet moments was early in the Festival, when the folks from The Fourth Dimension came through for their world premiere. Here’s Harmony Korine and Val Kilmer, whose segment “The Lotus Community Workshop” kinda blew my mind. Photo by Tommy Lau.
One of the highlights at SFIFF every year is the pairing of silent films with contemporary musicians performing new scores, and this year we had Merrill Garbus and tUnE-yArDs with Ava Mendoza accompanying Buster Keaton shorts. It was an inspired match, and everyone had a blast. Photo by Pamela Gentile.
One of my favorite sights on earth: a full Castro Theatre. Any time I see this, I know we’re doing something right. Photo by Pamela Gentile.
Look at this classy guy. Kenneth Branagh came to town to receive the Founder’s Directing Award at the Festival this year, and just charmed the pants off everyone. This arrival photo just kills me; it doesn’t get any smoother than that. Photo by Tommy Lau.
We gave a new award this year in honor of our late friend and leader Graham Leggat, which went to Benh Zeitlin. Beasts of the Southern Wild is amazing, and I know Graham would have loved it and would have gotten along famously with Benh. Photo by Tommy Lau.
On day four of the Festival, a fire alarm went off at the Sundance Kabuki Cinemas and cleared the building, spilling six packed houses onto the sidewalk in front. For me this moment is a great testament to the skill and efficiency of our Operations crew, who got everyone out, then back in, and got those films running again with a minimum of disruption to the day’s schedule. Those guys rock. Photo by Tommy Lau.
The Closing Night film at SFIFF55 was Don’t Stop Believin’: Everyman’s Journey, and we had all the members of Journey there to help celebrate their hometown premiere. New frontman Arnel Pineda is an amazing guy and is super down-to-earth considering the hurricane of superstardom that has swept him up. Photo by Tommy Lau.
The event I was most sorry to miss this year was David OReilly Says Something, at which the animator showed selections from his work, and then…apparently said something. His stuff is super weird (check him out here), and I would have loved to hear more about it. Photo by Stefan Jora.
For the duration of the Festival we were also presenting an exhibition in our KinoTek series of cross-platform and multimedia work, featuring interactive artist Karolina Sobecka. Very cool stuff. My favorite piece was the projection of a dog in the window in front of the gallery, which would bark at people and interact with them as they walked by on the sidewalk. Photo by Pamela Gentile.
Probably the hottest ticket at SFIFF this year was Sam Green’s live cinema program The Love Song of R. Buckminster Fuller. I had the great honor to be there; the piece was moving, funny, informative, entertaining and just plain fascinating. And oh yeah, that’s Yo La Tengo in the back supplying tunes. No big deal. Photo by Pamela Gentile.
I’m not really sure what’s happening in this photo, but I have a crazy crush on Rosemarie DeWitt, and she can do whatever her adorable self wants. Also, Your Sister’s Sister was awesome. Photo by Pamela Gentile.
Barbara Kopple, who was selected for this year’s Persistence of Vision Award, shares a moment of mutual adoration with our Rachel Rosen. Photo by Pamela Gentile.
My favorite portrait of the year has to be this one of Chris Nilan, subject of Alex Gibney’s doc The Last Gladiators, about violence in ice hockey and the role of “the enforcer” on the team. This guy got famous beating by dudes bloody and never losing a fight, and doing so WHILE WEARING ICE SKATES. Bad ass. Photo by Pamela Gentile.
Here are a few of my favorite photos taken at this year’s San Francisco International Film Festival. It’s my great pleasure to work closely with the outrageously talented photographers that document our big show every year, and they captured some fantastic moments in 2012.
Roll over images for more!
The San Francisco Film Society wrapped its 56th San Francisco International Film Festival with 263 screenings of 158 films from 51 countries, which were attended by over 210 filmmakers and industry guests from over 21 countries around the globe. During its 15-day run, SFIFF56 showed 67 Narrative Features, 28 Documentary Features and a total of 63 short films.
This year the International awarded over $70,000 in prizes—one of the largest cash totals distributed by a U.S. film festival—to emerging and established filmmakers from ten countries around the world. Below are the award winning films.