How I Gave Up on the Film Industry and Did What I Loved, Part 2

How I Gave Up on the Film Industry and Did What I Loved, Part 2

By Jacob Kornbluth

So there I was.  I had totally given up on my film career in LA, and gone to live in Berkeley, CA.  In trying to put together a fiction film, I had met Robert Reich and become friends with him.  Reich and I had started making short videos together, they were successful, and I had begun thinking about how to make a film about what had happened to the American economy and the Middle class.  But I had no idea where to start.

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How I Gave Up on the Film Industry and Did What I Loved, Part 1

How I Gave Up on the Film Industry and Did What I Loved, Part 1

 By Jacob Kornbluth

My first documentary, Inequality For All, opens theatrically on September 27 in the top 25 markets.  This is an extraordinary release for a doc, and I couldn’t be any more proud of the film. 

As I go from film fest to film fest, people ask me all the time – when did you get the idea for the film?  The strange but true answer is this: I got the idea for the film when I gave up on the film industry. 

 

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SFIFF56 In-Depth: Big Nights

Our countdown is going, and our much anticipated SF International Film Festival is just 34 days away!  We're excited to announce that we'll be opening our 56th with Scott McGehee and David Siegel's film What Maisie Knew, celebrating our Centerpiece with Jacob Kornbluth's film Inequality for All, and closing with the last of the beloved trilogy Before Midnight by Richard Linklater.

Member tickets available for Big Night films today.
Open to the general public tomorrow, March 22.


Directed by Scott McGehee and David Siegel (USA 2012)

In this loose adaptation of Henry James's 1897 novel of the same name, Scott McGehee and David Siegel focus on the effects of a marriage's unraveling as viewed through the eyes of a couple's six-year-old daughter. Shuttling between narcissistic parents and bemused but compassionate parental stand-ins, young Maisie comes face to face with the mercurial world of grown-ups who are anything but. With Julianne Moore, Alexander Skarsgård, Onata Aprile, Steve Coogan.


Directed by Richard Linklater (USA 2012)

They're still the same romantic, articulate and gorgeous couple that met on a train in Linklater's Before Sunrise (1995), but now, nearly 20 years on, Jesse and Céline (Ethan Hawke and Julie Delpy) are approaching middle age and facing questions of commitment, family and, as ever, the staying power of love. Before Midnight, with a funny and touching screenplay cowritten by Linklater and his two lead actors, is that rare sequel (rarer still: a sequel to a sequel) that not only delivers the charm and energy of its antecedents but adds layers of poignancy, standing firmly on its own as a mature observation of love's pleasures and discontents. With Julie Delpy, Ethan Hawke, Seamus Davey-Fitzpatrick, Jennifer Prior, Charlotte Prior.


Directed by Jacob Kornbluth (USA 2013)

In this Inconvenient Truth for the economy, the Sundance Special Jury Award-winning Inequality For All introduces former Secretary of Labor (and current UC Berkeley professor) Robert Reich as an inspirational and humorous guide in exploring the causes and consequences of the widening income gap in America and asks what is means for the future of our economy and nation. Passionate and insightful, Reich connects the dots for viewers by providing a comprehensive and significantly deeper understanding of what's at stake if we don't act.

Festival Preview: SFFS-Supported Films at Sundance 2013

We're are getting so antsy to see the premieres of these five films that the San Francisco Film Society has supported through Filmmaker360 grants and fiscal sponsorship at Sundance 2013's U.S. and World Cinema Dramatic and Documentary Competitions! For those who will be making the snowy trek and for those of us who won't, watch interviews and previews below.

AMERICAN PROMISE

directed by Joe Brewster and Michèle Stephenson
2011 SFFS Documentary Film Fund grant winner:  $25,000 for postproduction

Sundance 2013, U.S. Documentary

This intimate documentary follows the 12-year journey of two African-American families pursuing the promise of opportunity through the education of their sons.

CUTIE AND THE BOXER

directed by Zachary Heinzerling
2011 SFFS Documentary Film Fund grant winner: $50,000 for postproduction

Sundance 2013, U.S. Documentary

This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband's assistant, Noriko finds an identity of her own.

FRUITVALE

directed by Ryan Coogler
Spring 2012 SFFS/KRF Grant winner: $100,000 for production
Fall 2012 SFFS/KRF Grant winner: $100,000 for postproduction
SFFS Off the Page script workshop, April 2012

Sundance 2013, U.S. Dramatic

Fruitvale is the true story of Oscar Grant, a 22-year-old Bay Area resident who crosses paths with friends, enemies, family and strangers on the last day of 2008.

INEQUALITY FOR ALL

Transient

directed by Jacob Kornbluth
Currently enrolled in SFFS Project Development program

Sundance 2013, U.S. Documentary

In this timely and entertaining documentary, noted economic-policy expert Robert Reich distills the topic of widening income inequality, and addresses the question of what effects this increasing gap has on our economy and our democracy.

NARCO CULTURA

directed by Shaul Schwarz
2012 SFFS Documentary Film Fund grant winner: $20,000 for postproduction

Sundance 2013, U.S. Documentary

An examination of Mexican drug cartels’ influence in pop culture on both sides of the border as experienced by an LA narcocorrido singer dreaming of stardom and a Juarez crime scene investigator on the front line of Mexico’s Drug War.

Sundance 2013 Roundup

Sundance 2013 Roundup

By now, you've probably heard—the official selections are in for Sundance 2013's U.S. and World Cinema Dramatic and Documentary Competitions. Among them are five films that the Film Society has supported through grants and fiscal sponsorships as they've developed into feature-length, fully-formed films:

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