New Website for American Promise
/SFFS Doc Film Fund winners Joseph Brewster and Michèle Stephenson have a brand new website up for their doc An American Promise. Check it out here!
SFFS Doc Film Fund winners Joseph Brewster and Michèle Stephenson have a brand new website up for their doc An American Promise. Check it out here!
What else do you need to know? Turn up the volume and enjoy!
Sources:
1. Most confusing thing you can say to other human beings: 2012 was awesome!
2. The craziest news story this year: Giant meningitis-causing snail invasion in Florida.
3. Two fantastic TV shows that premiered in 2012: I’ll break my own rule right away by mentioning two things by name. Totally Biased with W. Kamau Bell and Key and Peele. Bell, with “Laughter Against the Machine” allied with the Occupy movement in 2011, which one would think leads to mainstream career suicide. Instead, it (and many other activities) helped to propel Bell to a TV deal backed by Chris Rock. Plus, the show is smart and insightful. Something good happened in the world! I don’t know much about the origins of Key and Peele (Mad TV?), but that show is often terrifically funny.
Read More4/19: It's On
photo by Pamela Gentile
Opening Night Post Screening Q&A. I love it when post-screening Q&A’s don’t go as planned. I would call this one an even draw between Benoit Jacquot, director of Farewell, My Queen and interpreter Natacha Ruck.
4/20: Marilyn Embarrassment
photo by Pamela Gentile
Our festival KinoTek presentation of the work of Karolina Sobecka included Pornographic Pursuit 2, a film loop of Marilyn Monroe disrobing that only runs to completion if gallery visitors jog in place. A trio of young women wanted to experience the art but, due to embarrassment, jogged avidly facing away from the projected image. (Sadly, We only have a picture of the piece being experienced with the more common facing-the-image method.)
4/22: Fire Drill!
photo by Pamela Gentile
I know a fire alarm should not necessarily be a festival highlight, but thankfully not a single film was on the screen at the time. Our festival operations staff got to show their stuff and what could have been a disaster turned into an impromptu 15-minute street event.
4/23: TuneYards and Buster
photo by Pamela Gentile
I got to experience this one as a regular audience member. Just an all-round great night of cinema and music.
4/26: Award Winners and Cows
photo by Pamela Gentile
What did Award recipient Kenneth Branagh do during the day before the Film Society’s Awards Night Gala? He went to see the Swedish documentary Women with Cows. And he liked it. And he talked about it on the radio the next day.
4/28: Men of Cinema
photo by Pamela Gentile
Some of our favorite men of cinema turned out to honor well-loved “man of cinema” and Novikoff Award recipient Pierre Rissient, including the Film Society’s Ted Hope (who managed to evade the camera).
4/28: We Are the World
photo by Robert Jerome
Apparently the Bay Area has a large number of expatriates from the remote Azores island of Corvo depicted in our documentary award-winning film It’s the Earth Not the Moon. Here are some of them who turned up for the film’s Pacific Film Archive screening in Berkeley.
5/1: Hometown Heroes
photo by Tommy Lau
The Waiting Room Q&A. I love a huge hometown screening, especially when it gave the audience a chance to show their enthusiasm to documentary subjects who are probably too busy helping patients to feel the love at a lot of festival screenings.
5/2: Best. Filmmaker. Lunch. Ever.
Only the Young’s Garrison Saenz and Kevin Conway got to experience San Francisco’s ornate Palace Hotel. Plus, Golden Slumbers’ Davy Chou hooked up an invite to Magic Mountain from Kevin.
5/3: Hometown Heroes, Part II
Journey’s Arnel Pineda gave us a little a cappella treat to ring out the festival.
Bonus: Favorite Festival Sweater
And the winner is... Davy Chou!
Rachel Rosen is Director of Programming at the Film Society.
Are you bummed out we're all still alive? Us too. We were hoping you'd all be gone by now. Our post-apocalyptic optimist and resident pentagrandma Sarah Cathers has compiled a seven film conceptual conspiracy compendium for you to unravel as we wait for the next acapulcopacalipstick. (Pro tip: play this blog post backwards for hidden messages!)
Altered States (1980) dir. Ken Russell
This movie is for those that want to transcend but can’t wait for that pesky little baktun to turn. Of course, William Hurt was going through the act of DE-evolution to become one with the light, but the Mayan calendar is cyclical isn’t it? So rewinding or fast-forwarding, you can probably still reach the same place. Are we not men?
Assessment: Not QUITE the Age of Aquarius, but switching from human matter to conscious light is nothing to OHM at.
Transformation Rating: Drugs
Ancient Aliens Scale: ∞
Holy Mountain (1973) dir. Alejandro Jodorowsky
Like 42 films in one, you think you are going to trip your balls off, but shit gets real narrative and you realize you are getting a little lesson regarding your assumptions of the higher plane.
Assessment: This movie ends up being for those people at NASA who made that video set to air on 12/22/2012, poo-pooing that the world hasn’t ended and you need to chill out. Let Jodorwsky and NASA call the WAHmbulance for you.
Transformation Rating: Religion. No, Tarot. No, Science, No, MOVIES!
Ancient Aliens Scale: 0
Unarius: The Arrival (1969) Unarius Academy of Science
Well, this is billed as an educational video so I guess it pretty much speaks for itself. The Universal Articulate Interdimensional Understanding of Science, ummm, Foundation was created by some fucking Californians who told everyone they were archangels that went on clairvoyant poetic journeys into past lives and aliens that were somehow tied together. They promised alien landings but haven’t delivered. Yet.
Assessment: Could very well end up welcoming our space brothers today so they can answers all of life’s big questions for us. Maybe we can ask Zan why he was such a dick.
Transformation Rating: Cult
Ancient Aliens Scale: 7.5
Zardoz (1974) dir. John Boorman
Shows just how boring immortality and enlightenment can be until a sexy savage shows up on the scene to shake things up a bit in his notoriously revealing adult diaper. The Beyond 1984, Beyond 2001, Beyond Love, Beyond Death tag line shows how post-apocalyptic this truly is. Zed (not to be confused with Zan) gets transported by a giant replica of Klaus Kinksi’s head to go on a journey to see the man behind the curtain.
Assessment: After all this enlightenment we have been trying to attain, the coolest thing to do is just grow old and die. Being an alien is too safe these days.
Transformation Rating: Future Aliens
Ancient Aliens Scale: 4
Xanadu (1980) dir. Robert Greenwald
Listen, if everyone is going around linking mythologies: gods, aliens and ancient civilizations, then lets get Xanadu in on this shit. I mean, with all of this talk of ancient civilizations having sex with gods to produce the human race that thusly invents calendars and language (thanks to their alien/god overlords/buddies) it’s surprising that it took until 1980 for anyone to make a proper roller skating love story musical on the subject.
Assessment: Human time is still utterly confusing to the gods. No amount of calendars can help them figure it out. But one Olympian muse sets out to change all that.
Transformation Rating: Will she or wont she?
Ancient Aliens Scale: 5
Stargate (1994) dir. Roland Emmerich
A portal is found in Egypt (which is really just the poor man's Yucatan) that basically turns the concept of God on its head and shows that they were a bunch of sneaky aliens POSING as gods so they could have sex with our women and set up an illicit slave trade wormhole.
Assessment: Late breaking knowledge of alien interference from the past bums everyone out when they realize there is no such thing as God and Ra is just another shitty human, but in space.
Transformation Rating: More human than human
Ancient Aliens Scale: 9
Indiana Jones and the Kingdom of the Crystal Skull (2008) dir. Steven Spielberg
Precedes the Ancient Aliens meme by 2 years and basically scooped the HISTORY CHANNEL by making an action-adventure movie based on the fiction of Zecariah Sitchin. They do one better by adding the search for a goddamn psychic alien crystal skull.
Assessment: This movie has EVERYTHING: Soviet era Russkies, “Warehouse 51,” Peruvian rainforests with tiny mad tribesmen, long abandoned cities, temples that turn into spaceships. Why this movie wasn’t released today is BEYOND ME.
Transformation Rating: Wet Dream
Ancient Aliens Scale: 100
Sarah Cathers is Director of Operations at the San Francisco Film Society. She is FORBIDDEN from choosing the movies we exhibit. If you're cool with typos, check out her blog at ilovemyfuckingcat.com.
I'm a film viewer who mostly enjoys the whole ensemble; what I truly relish are the particular details of well-dressed characters. It is with this particular taste that I present a montage of some of my favorites: the lessons from the stylists, costume designers, cinematographers, directors, and others with 'the eye' behind these films enjoyed on the SFFS and SFIFF screens.
Style—all who have it share one thing: originality.
Hover over image for the caption
Diana Vreeland: The Eye Has to Travel
When you cite that style and fashion are essential to a narrative scene, you are indeed hailing the Queen who coined it. With all my respect (and credit card bills), this broad re-schooled us all again on the imaginative and dripping richness of why we all need to dress well!
Marina Abramovic: The Artist Is Present
Much of the film celebrated the unclothed body, but hey, I'm giving props to the dame whose iron will lead her to wear the same dress for over 90 days!
Chicken with Plums
We all know it. We all do it. Shoes are the first things to check out. They incite love at first sight. Observe perfection: perforated chestnut leather heels. Unexcusable: Mathieu Amalric's uneven mustache. Forgiven because being lovesick is excusable.
The Woman in the Fifth
The right red dress is a warm thought in a velvet mohair chair;
hold it...
hold it....
hold it...
Wuthering Heights
If you're a classy heartless bitch standing in cold mist, slap your childhood love in style with a red velvet short coat and monochromatic skirt.
The Great Magician
You're truly a bad ass when comfortably wearing a black stetson, cream full-length skirt, vintage silk shirt, gold/black boots and a smile in the face of an armed suit.
Kryptonite!
We all love vintage throwbacks and the Italians have it on lock down. Maybe it's in their flared pants. Maybe it's the sheen of their fine merino knits. Maybe it's that shine of those Gucci shoes. Regardless, if it's 70s, for the love of fashion, get Italian.
Rather than revisiting feel-good family classics It’s a Wonderful Life or Miracle on 34th Street for the millionth time, why not ring in the holidays with one of these violent, scabrous, not-suitable-for-family-viewing faves?
Bad Santa (2003) — Billy Bob Thornton is unforgettable as an alcoholic con man who uses a Santa suit as distraction for various acts of thievery and bad behavior. Directed by Essential SFer Terry Zwigoff and holds the record for most profanity in any holiday-themed film.
Black Christmas (1974) — Regarded as one of the first slasher films, this seminal Christmas-themed horror pic influenced Carpenter’s Halloween four years later. Around ten years later, director Bob Clark would make the far more wholesome holiday favorite A Christmas Story. (Ed: Plays tonight on the big screen at the Roxie with Margot Kidder in person!)
New Year’s Evil (1980) – Underrated early slasher film details the bad deeds of a man who calls himself Evil and who plans on murdering someone from each U.S. time zone as the clock strikes midnight. Happy New Year, indeed.
Rare Exports: A Christmas Tale (2010) — It's the eve of Christmas in northern Finland, and an archeological dig has just unearthed the real Santa Claus. But this particular Santa isn't the one you want coming to town! A blackly comic gem.
Silent Night, Deadly Night (1984) — After his parents are murdered by someone in a Santa suit, poor Billy is forever traumatized and the holiday season will never be the same for him. Followed by four terrible sequels. Due to parental protest over Santa depicted as a killer, the movie was pulled from theatres after only two weeks.
Strange Days (1995) — Cult favorite from Oscar-winning director Kathryn Bigelow (currently receiving raves for Zero Dark Thirty), this is a stylish and nutty murder mystery set just before New Year’s in 1999. Bay Area band Testament is one of the featured groups during the Millennium party scene.
It all starts here! This is the core staff for SFIFF55, who all worked their asses off to make the Festival happen. Photo by George F. Gund
One of my favorite red carpet moments was early in the Festival, when the folks from The Fourth Dimension came through for their world premiere. Here’s Harmony Korine and Val Kilmer, whose segment “The Lotus Community Workshop” kinda blew my mind. Photo by Tommy Lau.
One of the highlights at SFIFF every year is the pairing of silent films with contemporary musicians performing new scores, and this year we had Merrill Garbus and tUnE-yArDs with Ava Mendoza accompanying Buster Keaton shorts. It was an inspired match, and everyone had a blast. Photo by Pamela Gentile.
One of my favorite sights on earth: a full Castro Theatre. Any time I see this, I know we’re doing something right. Photo by Pamela Gentile.
Look at this classy guy. Kenneth Branagh came to town to receive the Founder’s Directing Award at the Festival this year, and just charmed the pants off everyone. This arrival photo just kills me; it doesn’t get any smoother than that. Photo by Tommy Lau.
We gave a new award this year in honor of our late friend and leader Graham Leggat, which went to Benh Zeitlin. Beasts of the Southern Wild is amazing, and I know Graham would have loved it and would have gotten along famously with Benh. Photo by Tommy Lau.
On day four of the Festival, a fire alarm went off at the Sundance Kabuki Cinemas and cleared the building, spilling six packed houses onto the sidewalk in front. For me this moment is a great testament to the skill and efficiency of our Operations crew, who got everyone out, then back in, and got those films running again with a minimum of disruption to the day’s schedule. Those guys rock. Photo by Tommy Lau.
The Closing Night film at SFIFF55 was Don’t Stop Believin’: Everyman’s Journey, and we had all the members of Journey there to help celebrate their hometown premiere. New frontman Arnel Pineda is an amazing guy and is super down-to-earth considering the hurricane of superstardom that has swept him up. Photo by Tommy Lau.
The event I was most sorry to miss this year was David OReilly Says Something, at which the animator showed selections from his work, and then…apparently said something. His stuff is super weird (check him out here), and I would have loved to hear more about it. Photo by Stefan Jora.
For the duration of the Festival we were also presenting an exhibition in our KinoTek series of cross-platform and multimedia work, featuring interactive artist Karolina Sobecka. Very cool stuff. My favorite piece was the projection of a dog in the window in front of the gallery, which would bark at people and interact with them as they walked by on the sidewalk. Photo by Pamela Gentile.
Probably the hottest ticket at SFIFF this year was Sam Green’s live cinema program The Love Song of R. Buckminster Fuller. I had the great honor to be there; the piece was moving, funny, informative, entertaining and just plain fascinating. And oh yeah, that’s Yo La Tengo in the back supplying tunes. No big deal. Photo by Pamela Gentile.
I’m not really sure what’s happening in this photo, but I have a crazy crush on Rosemarie DeWitt, and she can do whatever her adorable self wants. Also, Your Sister’s Sister was awesome. Photo by Pamela Gentile.
Barbara Kopple, who was selected for this year’s Persistence of Vision Award, shares a moment of mutual adoration with our Rachel Rosen. Photo by Pamela Gentile.
My favorite portrait of the year has to be this one of Chris Nilan, subject of Alex Gibney’s doc The Last Gladiators, about violence in ice hockey and the role of “the enforcer” on the team. This guy got famous beating by dudes bloody and never losing a fight, and doing so WHILE WEARING ICE SKATES. Bad ass. Photo by Pamela Gentile.
Here are a few of my favorite photos taken at this year’s San Francisco International Film Festival. It’s my great pleasure to work closely with the outrageously talented photographers that document our big show every year, and they captured some fantastic moments in 2012.
Roll over images for more!
Of course John Waters has the best holiday card.
Yesterday we announced the latest winners of this fall's SFFS/KRF Filmmaking Grant, which supports feature narrative films that uplift the Bay Area professionally and economically. Or as our Executive Director Ted Hope put it, "Wow. We just gave away $300K!" So without further ado, we invite you to meet the winning bunch of filmmakers.
Read MoreRosemarie Dewitt, star of SFIFF55 hit Your Sister's Sister, visits the festival with husband Ron Livingston. Photo by Pamela Gentile.
By now, you've probably heard—the official selections are in for Sundance 2013's U.S. and World Cinema Dramatic and Documentary Competitions. Among them are five films that the Film Society has supported through grants and fiscal sponsorships as they've developed into feature-length, fully-formed films:
Read MoreThe San Francisco Film Society wrapped its 56th San Francisco International Film Festival with 263 screenings of 158 films from 51 countries, which were attended by over 210 filmmakers and industry guests from over 21 countries around the globe. During its 15-day run, SFIFF56 showed 67 Narrative Features, 28 Documentary Features and a total of 63 short films.
This year the International awarded over $70,000 in prizes—one of the largest cash totals distributed by a U.S. film festival—to emerging and established filmmakers from ten countries around the world. Below are the award winning films.